Mimi Barbour

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The Cheapest Way to Travel: Short Stories and Settings

January 31, 2013 By Mimi Barbour 2 Comments

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The Cheapest Way to Travel:
Short Stories and Settings

Maybe it’s a strange way of doing things, but when I begin
formulating ideas for a new story, the first aspect I usually consider is the
setting. My hope is that my comedic short stories can send readers on little
vacations, that they can be transported for a half-hour, an hour, to someplace where
it’s fun to be, the way James Taylor goes to Carolina in his mind.

The best way to achieve that effect is to come up with a
place that just seems to lend itself to drama, laughs, action: a summer camp, a
comedy club, even an assisted-living home. Once you’ve hit upon this setting,
it becomes fairly easy to fill your work with the types of colorful people who
in real life would tend to gather at such a place. 

You might also want to make your setting a place you only
wish you’ve been or wish you could go, like Paris or a colony on the moon. (You
can forget about Internet airfare discounts; writing is definitely the cheapest
way to travel.) Just be diligent about researching places you’ve never visited –
readers pick up on the tiniest mistakes! In fact, if you set your story in Thailand,
and you’ve never actually been there, see if you can find a proofreader from
Thailand on Twitter, Goodreads, or another website.

A great pleasure of the writing life is conjuring up fond memories.
And creating a setting that’s similar to a significant place in your life brings
memories roaring back with startling vitality. For example, imagine that you
worked at an arcade as a teenager in the 1980’s. If you composed a story set in
a 1980’s arcade, the process of describing your fictional arcade would induce
you to recall events and atmospheric details long forgotten. What’s more, as
you type away, people you haven’t seen in years will return for a visit.
Vividly they’ll dance in your mind – old friends, acquaintances, dates, your
first boss. Your writing will become a time machine.

Note, too, that at times your plot can alter your setting. Say
that you’re writing a scary story about someone whose car breaks down at night.
As you’re going along, you might decide to change the time period from
present-day to the early 1990’s. After all, with not a cell phone in sight,
your hero’s that much more isolated.

 

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